15th Annual Queer Women of Color Film Festival
Jun
14
to Jun 16

15th Annual Queer Women of Color Film Festival

QWOCMAP presents

15th Annual Queer Women of Color Film Festival

FRIDAY, JUNE 14: Doors at 6:30pm; Screening at 7:30pm
SATURDAY, JUNE 15: Doors at 6:00pm; Screening at 7:00pm
SUNDAY, JUNE 16: Doors at 4:00pm; Screening at 5:00pm

QWOCMAP’s annual Queer Women of Color Film Festival will premiere 35 films in three screenings, June 14-16, 2019. Our 15th anniversary Festival Focus “Resilient Past is Vibrant Prologue,” honors the everlasting power of queer women of color, and gender nonbinary and transgender people of color. From a young biracial Chinese woman whose home propels her into the world, to the voice of a Mexican American boy soaring with love, from two nonbinary Coptic Egyptian and Muslim Pakistani queer friends diving into community with food, to four Black trans women strutting through love, trade, and shade, these films charge through time and revel in our ability to thrive. All films Subtitled for the Deaf & Hard-of-Hearing. ASL interpretation provided.

The annual Queer Women of Color Film Festival is a FREE event. For information on how to register for tickets, visit qwocmap.org.


Schedule

Waking Hour  by Nava Mau

Waking Hour by Nava Mau

FRI, JUN 14 - EVERLASTING BONDS

From a trans Latina navigating through conflicting emotions to a Black nonbinary lesbian stoner flying beyond the understanding of her best friend, these films cartwheel through desire, confusion, and comedy in tales as old as time.


Among the Cranes  by Astrid Liu

Among the Cranes by Astrid Liu

SAT, JUN 15 - RISING PERSISTENCE

From queer Asians skipping through time and Native people propelling a national sports issue, to Black women galloping toward healing, these films lift us to persist and live our lives fully.


Food with Friends  by Mina Halim and Fiza Jihan

Food with Friends by Mina Halim and Fiza Jihan

SUN, JUN 16 - BELONGING FOREVER

From a young Mexican American boy’s voice soaring with love and a transgender South Asian wandering into wholeness, to an Afro Colombian nesting in family love, these films leap into resilience and joy.

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Jun
9
3:00 PM15:00

Kularts presents the World Premiere of Florante Aguilar's UTOM

Kularts presents the World Premiere of Florante Aguilar’s

UTOM

Featuring T’boli Master Artist and Culture Bearer Joel Ganlal

SUNDAY, JUNE 9 at 3PM

Joel Ganlal. Photo by Stella Kalaw.

Joel Ganlal. Photo by Stella Kalaw.

Kularts presents the world premiere of Florante Aguilar’s new composition, UTOM, inspired by the music of the T’boli people in Southern Mindanao, Philippines.

Utom (oo-tawm) is a musical concept by the T’boli whereby instruments are used to depict the sounds of nature or to describe an event. As animists, the T’boli believe that everything in our universe is a manifestation of the divine, and art and music are the “voice” of the divine. As such, music is a powerful expression when it comes to narrating T’boli mythologies. The composition in eight movements, musically narrates the myth of Lake Sebu’s formation along with the T’boli deities and royalty – Boi Henwu the princess, Kludan, the hunter and Boi Henwu’s servant, and Lemugot, a demi-god sent to seduce the princess.

UTOM was awarded a composition grant by the Gerbode Foundation.

Utom_Ensemble.JPG

We’re using music to tell a story. In Western classical music, they call this ‘programme music,’ where the audience is invited to imagine a character or an event rendered entirely through music. Typically, audience would rely on printed ‘programme’ notes to guide them in the story. In ‘Utom,’ we’ll supplement the concert with short film footage on select tracks where emphasis and clarity are needed.
— Florante Aguilar, composer. Walter Ang, Inquirer (May 23, 2019)

ABOUT THE COMPOSER

Florante Aguilar is one the leading figures championing Philippine music art forms in the US and international markets today. He advances and popularizes Philippine music through the medium of film, recordings and live performances. His arrangements and compositions successfully craft the right balance between respect and redefinition of a tradition. Born in Manila, Aguilar grew up in Cavite province where he learned to play the octavina in a rondalla group. By 16 he was enrolled at the University of the Philippines College of Music where he was trained as a classical musician. He later moved to New York under scholarship to study at the Manhattan School of Music. He received his Bachelor of Music Degree at the San Francisco Conservatory for Music.

As a composer, Aguilar uses strong Philippine motifs in a modern context. His constant search for a tradition-based contemporary Filipino sound led him to champion harana music – songs used in the now-vanished Filipino courtship ritual of serenading, and the subject of the award-winning 2012 documentary, Harana: The Search for the Lost Art of Serenade, which he wrote and produced with his wife and partner, Fides Enriquez. Aguilar has released several CD albums under the private label New Art Media. Aguilar is a recipient of Gerbode Composition Awards (2016), National Endowment for the Arts (2014), San Francisco Arts Commission (2009), and San Francisco Foundation (2010). Florante currently performs with and composes for his ensemble Fandangueros with Chus Alonso (flute & laud), Sage Baggott (percussion) and Greg Kehret (double bass).


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May
9
to May 10

StageWrite presents: WORD! Short Plays by Short People

StageWrite presents

WORD! Short Plays by Short People

THURSDAY, MAY 9 at 6PM
FRIDAY, MAY 10 at 6:30PM

poster2019-email.jpg

StageWrite presents a multimedia production of original plays written by fifth graders from SFUSD, inspired by works of visual art at the de Young Museum, and performed by professional actors with music by The Write-Ons. Enter a world where... dragons feast on negative words, smart phones keep it real, books fight to exist, dance speaks louder than words, cigarettes get fired up, lost languages are found, & pigeons speak out.

TICKETS
Sliding scale: $10 - $40

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